Getting Started

Getting started with inner work- surprise yourself!

 

 

Surprise Yourself

Getting Started: Inner Work Series

This series of audio recordings can help you if you are new to inner work or want to explore a particular aspect of inner work.

Inner Work is a process of noticing, articulating and following perceptions and information we usually don’t attend to. By becoming more aware of these perceptions and experiences, we gain access to aspects of ourselves that we normally ignore or minimize.

Some aspects of inner work may come easily to you while others may seem more elusive. Each recording in this series focuses on a specific element of the inner work process and offers a brief exercise to help you deepen your skill or sensitivity. Some of this information may be familiar to you from other studies and practices and some of it may be new or have a slightly different emphasis.

Listen to these recordings in whatever order you like. I have arranged them here roughly to follow where they may occur in a typical inner work process, but there is no one way. So please, go at your own pace and use your curiosity to learn from your experience with each recording.

Getting Started (1:33 minutes)

by Cindy Trawinski | This series of audio recordings can help you if you are new to inner work or want to explore a particular aspect of inner work.

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This series of audio recordings can help you if you are new to inner work or want to explore a particular aspect of inner work.

Inner Work is a process of noticing, articulating and following perceptions and information we usually don’t attend to. By becoming more aware of these perceptions and experiences, we gain access to aspects of ourselves that we normally ignore or minimize.

Some aspects of inner work may come easily to you while others may seem more elusive. Each recording in this series focuses on a specific element of the inner work process and offers a brief exercise to help you deepen your skill or sensitivity. Some of this information may be familiar to you from other studies and practices and some of it may be new or have a slightly different emphasis.

Listen to these recordings in whatever order you like. I have arranged them here roughly to follow where they may occur in a typical inner work process, but there is no one way. So please, go at your own pace and use your curiosity to learn from your experience with each recording.

Identifying a Problem or Question (1:41 minutes)

by Cindy Trawinski | Inner work exercises often start by asking you to identify a question or difficulty that is on your mind.

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Inner work exercises often start by asking you to identify a question or difficulty that is on your mind.

Maybe there is decision you have been trying to make. Or perhaps, you have been slightly annoyed or bugged by something in your neighborhood or at work. Maybe you have been hesitant to talk to someone about a concern you have. Or maybe you are holding a criticism against yourself.

Whatever it is, you may be aware of pushing it aside or thinking it is not important, yet you continue to ponder it.

Take a moment, reflect on the last couple hours or days, and see what comes to mind.

If several options come to mind, jot them down briefly and then scan your list and ask yourself if one stands out or is mysterious or surprising in some way. Circle or highlight that one. This will help you come back to it later in the inner work exercise.

Choosing something that is not your biggest trouble or problem is fine. By keeping the stakes low, you give yourself a chance to be a bit more relaxed and detached. This is helpful when working with your awareness.

You can try it now. Is there a question or problem that has been on your mind lately?

Relaxing & Going Inside (1:59 minutes)

by Cindy Trawinski | Transitioning from your everyday head space to another state of awareness can be helpful for inner work...

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Transitioning from your everyday head space to another state of awareness can be helpful for inner work, although it is not required. If you are able to follow suggestions in an inner work exercise to close your eyes, take a deep breath or to set your concerns aside – that’s wonderful. But if you are not, see if you can be curious and open to the state of mind you are in or the experience that is forming in you.

We’ll take a moment now to practice relaxing and going inside.

Make yourself comfortable. If you like, close your eyes and take a few deep breaths but don’t force your breath. Let your attention fall on your body’s experience of exhaling, if you can. Where do you notice the exhale? Is it in your arms, your chest, your nose, your eyes? Just notice the sensations or movements you feel as you breath in and out. Hold one of those in your attention in an easy way. Allow yourself to just notice it without trying to change anything.

Simple Awareness (1:20 minutes)

by Cindy Trawinski | In this moment, what are you aware of?

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In this moment, what are you aware of? Take a moment and listen to your thoughts, the sounds in or around you.

Scan your body as if from the inside out. Notice your breath or any other movements or sensations. What do you feel in your body?

Notice what you are noticing in this moment and then, let yourself notice what you notice next.

Follow this process, until you return to the starting point or some other destination.

Noticing a Tendency (2:05 minutes)

by Cindy Trawinski | Take a moment now, close your eyes and go inside. Let your attention relax...

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Take a moment now, close your eyes and go inside. Let your attention relax.

Scan your body as if from the inside out. Notice your breath or any other movements. What are you feeling in your body? Observe your body for a few moments without moving.

Now, see if you can notice a tendency or impulse to move, before you move. Where is it in your body? Become aware of the tendency. Let your attention rest on it briefly, then
using your awareness, allow the tendency to move you to gently begin to follow that impulse or tendency. Keep your attention on the impulse as you continue to move. Notice when that tendency is completed, you lose interest in it or something new arises or another tendency arises in your awareness.

If you would like to try a version of this exercise outside, you may want to listen to Following Your Momentary Path.

Following Your Momentary Path (5:41 minutes)

by Cindy Trawinski | This is an exercise in becoming aware of and following non-rational impulses or tendencies that don’t immediately make sense...

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This is an exercise in becoming aware of and following non-rational impulses or tendencies that don’t immediately make sense or follow a known pattern. For example, when I plan to take a walk, for example, I often have an already existing idea of where I am going or how long I am planning to walk.

So, I developed this approach to walking to help me follow subtle signals and tendencies I might normally overlook or ignore.

Go outside as you would to take a walk. Or if you are unable to walk, imagine doing so. Once you are outside, take a moment before you begin to walk and go inside yourself. That is, shift from your automatic or ordinary way of starting to walk (if you have one) and turn your attention inward.

Notice your body and its energy or lack of energy. Where in your body do you sense movement or sensation? Allow that experience to be present in your awareness for a few moments.

Now, slowly with awareness, openness, and a bit of detachment, look out at the world in front of you. Instead of using your everyday mind to decide which way to go, ask yourself if you are you pulled in particular direction?

Try pivoting slowly, turning to face to the left and then to the right. Let yourself turn back and forth or around until you settle on a direction. If you can do so safely, close your eyes as you slowly pivot. Notice when you feel a direction is somehow right or you feel aligned or pulled in a particular way.

Now, take a couple steps in that direction and notice how it feels. Walk in this direction until you get to an intersection, a dead end, a fork in the road, or some other decision point. It might even be your own internal sense that you have walked far enough or no longer want to continue in a certain direction.

As you approach this decision point, use your awareness again (instead of your knowing mind) to notice which way you feel pulled, curious, or drawn. Sense which direction has energy for you, and then take a few steps in that direction. If it feels right for you in this moment, continue walking until you reach either your next internal or external decision point.

Follow this process, until you return to the starting point or some other destination.

Flirts and Soft Focus (2:24 minutes)

by Cindy Trawinski | A flirt is a quick or momentary perception that catches our attention. They are like elements of a dream and can carry important meaning...

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A flirt is a quick or momentary perception that catches our attention. For example, I may unintentionally notice someone’s earrings momentarily or a glint of light may cause me to quickly turn my head. A particular movement in my environment or feature of someone’s face may catch my attention briefly and then fade from my awareness. I may find myself gazing at something in my room or outside my window. These are all examples of flirts.

We often dismiss flirts, these quick perceptions as meaningless, as daydreaming moments, we sometimes try to snap ourselves out of to get back to whatever is at hand. There is a tendency to set flirts aside and to see them as inconsequential. But they are like elements of a dream and can carry important meaning for us – if we first notice them.

Let’s try a quick flirt exercise.

Take a moment now and close your eyes. Let your attention relax. And let yourself become a bit cloudy or foggy. When you are ready, slowly open your eyes and notice the first thing that catches your attention. Hold it gently in your gaze, focus on it softly and let yourself be with whatever it is. That’s it. You’ve found a flirt.
If you would like to go further to deepen your understanding of this flirt’s meaning for you, you may want to listen to Studying & Describing Qualities.

Studying and Describing Qualities (3:02 minutes)

by Cindy Trawinski | Take a moment with what caught your attention and describe it to yourself a little and also notice what is standing out to you.

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Take a moment now, close your eyes and go inside. Let your attention relax and get a bit clouded or foggy. When you are ready, slowly open your eyes and notice the first thing that catches your attention. Hold it gently in your gaze and let yourself be with whatever it is.

Now, as you hold it in your gaze, notice what it is that you are drawn to…is it the shape, the color, a movement, or something else about it? What is it about what caught your attention that is most interesting, mysterious or disturbing?

I am sitting in my garden as I write this and what caught my attention is a bunch of new iris shoots coming up. They’re green and about 10 inches tall, quite delicate and thin. As I hold them in my gaze, what most stands out to me in this moment about them is the points of each green blade. It’s their points, the pointy-ness that is important to me in this moment.

Take a moment with what caught your attention and describe it to yourself a little and also notice what is standing out to you. If you like, you can make a quick drawing of what is catching your attention. I’m drawing the pointy tips of the leaves with a few strokes, to capture the part that stands out to me.

If you would like to go farther with this experiment, listen to Adding Channels.

Adding Channels (2:14 minutes)

by Cindy Trawinski | Sometimes it is helpful to add other sensory experiences, or channels, to a quality...

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Sometimes it is helpful to add other sensory experiences, or channels, to a quality. This can help you unfold, fill out or go further with the quality you are studying. One way to do this is to see if there is a sound or movement that goes along with what you may have noticed visually.

To add channels to my experience of the pointy-ness of the shoots I was studying in the segment on Studying & Describing, I make a small spontaneous hand gesture, letting my fingers move. When I do this, I notice I curl my fingers slightly and then flick them out, straightening my fingers and hands as I do that. I repeat this and make a small sound comes along with this movement. Whh! Whh! Whh!

Notice that I have allowed the pointy blades to become a hand movement and a sound that stays true to their pointy nature.

Now you can try it. Go back to the quality of what caught your attention and make a small hand gesture or movement to express it. Don’t think too much about it, just let your hands move. Once you have a movement, see if there is a sound that spontaneously goes along with the movement. Now, repeat your hand movement while making the sound and use your awareness to deepen that experience.

If you’re curious about what comes next, please listen to the segment, Amplifying & Shape Shifting.

Amplifying & Shape Shifting (Looking at the World from a New Perspective) (5:05 minutes)

by Cindy Trawinski | Amplifying means following the tendency you notice and doing something more, or letting it get bigger, or louder, or softer, or slower, or faster.

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Amplifying means following the tendency you notice and doing something more, or letting it get bigger, or louder, or softer, or slower, or faster.

Here’s an example of amplifying.

If I go a bit further with my experience of the green shoots from Adding Channels, and I Iet my hand gesture expand into my arms and stretch by arms out straight in front of me almost as if flying like Superman. I notice that Superman has emerged without my intention.

Now, I use this flying gesture and take a pose to let myself imagine actually being Superman. For me, I like to close my eyes sometimes when I shapeshift into a figure. So, I close my eyes and I imagine Superman flying and then let myself become him flying. What I feel is the strength and the forward propulsion as I course thru the sky. And I find myself making a sound that feels like the sound of flying fast thru air – a kind of Whoosh!

I stay with this experience and use my awareness, body posture, movement and sound to become Superman flying. That’s an example of amplifying and shapeshifting.

If you would like now, try going a bit further with your experience from the Adding Channels recording. Go back to your drawing and your multi-channeled experience – that means experience that you created using a hand movement and adding sound.

Let yourself bring that experience back into your awareness. Use your hand gesture or body movement, if you had one, and make sounds that go along with it. As you do, use your awareness to see if there is a tendency or impulse to amplify the sound or movement. If there is, try that now.

Amplifying means following the tendency you notice and doing something more, or letting it get bigger, or louder, or softer, or slower, or faster. If it is hard to amplify or do something more, just imagine doing so. Try this a couple times until you get a sense of how to amplify your experience.

As you do this, ask yourself what kind of figure makes these sounds and moves like this? Take your time. Keep making the sounds and movements. Hold a visual image in your mind of what this movement and sound combination might look like and see if a figure emerges or comes to mind spontaneously.

A figure can be a person, real or imaginary, dead or alive, a machine of some kind (like a pulley or race car), an object that moves a particular way (like a leaf blowing or the page of a book being blown by the wind). Notice what comes up for you. You don’t need to figure this out with your mind, just focus on what you are doing and see if a figure emerges.

If a figure spontaneously emerges – great. Let yourself become it a bit.

Finding the Essence (3:29 minutes)

by Cindy Trawinski | Finding the essence means looking for the most subtle or fundamental nature of a figure or experience.

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Finding the essence means looking for the most subtle or fundamental nature of a figure or experience.

Using my experience in Amplifying & Shape Shifting, I ask myself what is the most essential aspect of this flying Superman experience?

To do this, I go back into the visual, auditory and body sensations of Superman. I let myself become Superman. I take the pose. I throw my arms forward. I make the Whoosh sound. I feel the amazing strength and force that I am moving with. I feel strong and firm. And then, I bring the question to mind: what is the essence of Superman? For me, it is a kind of strength and force that moves. A force like a power. It is the power to move forward. This is the essence. The power to move forward. Forward power.

If you have been following along with your own experience from Amplifying & Shape Shifting, go back to the visual, sound and body sensations that you shape shifted with into your figure. Take your time with this. Let yourself become your figure. Stand or move as it does. Makes the sounds that go along with it.

And ask yourself: what is the essence of this figure? What is its most fundamental nature?

Let yourself connect with this essential nature and let it fill you up. When you’re ready, see if you can give a one- or two-word name, this essence. Make a few notes about this essence for yourself.

Using What You Found / Taking it With You (1:39 minutes)

by Cindy Trawinski | Once you have found the essential nature of your figure or experience, it helps to reflect on your original problem or question, whatever it was that bothering you at the beginning of the process.

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Once you have found the essential nature of your figure or experience, it helps to reflect on your original problem or question, whatever it was that bothering you at the beginning of the process.

Ask yourself how is this essence experience related to the problem you noted at the beginning? How does it help you with the problem or question you had?
If you did not note a problem or question to begin with, ask yourself where in your life this essence experience might be of help to you?

This is a place to allow or take note of whatever message comes up for you. It might or might not make sense immediately.

I often like to write down the message or wisdom and where it might apply, so I can imagine using it or even refer back to it later and reflect on it the days ahead.

Inner Work Exercises

Explore our archive of audio exercises, each about 10 minutes in length. This series of audio recordings can help you if you are new to inner work or want to explore a particular aspect of inner work.

Only have a few minutes? Mini Works are short audio-recorded inner work exercises – no more than 2-3 minutes in duration. They are a quick way to find a bit of wisdom to ease your day. Explore mini works here.

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